Published on: March 30, 2009

Kevan Shaw Lighting Design has been awarded the best public building award at the Lighting Design Awards 2009 for their ‘The Public’ building in West Bromwich / UK.

The building is designed by Will Alsop and it was build in 2009 for 60 mil pounds.
Here is more info by KSLD:
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Both colour and dynamics are employed to create a remarkable series of events within the multiform interior: essentially there are as many ways of experiencing the building as there are reasons to visit it.

Conceptually the lighting interacts with the visitor. From the pools of light at the entrances highlighting the visitorsâ arrival, different lighting experiences pervade the ground floor.

In the Cafe Bar there is a large area of illuminated floor and in the central area abstracted leaf patterns accent the large exhibition trees. Moving towards the theatre the visitor walks under a canopy of flowing neon arriving at the strong wall-washed lift lobby where the lift doors are further outlined inviting you upwards through the building.

The exhibition space is one of the first specifically created to house interactive art, therefore lighting has to permit many different screen based activities.

Working closely with exhibition designer Ben Kelly we incorporated the lighting into the exhibition structure using LEDs, Electroluminescent panels and gobo projectors.

Together we created a fascinating dynamic forest where integrated exhibits can be enjoyed. There are also two large gallery spaces used for temporary exhibitions, these are provided with highly flexible lighting equipment that is easily tailored to specific installations.

The gallery experience also includes a convoluted ramp linking the galleries described but creating exhibition space along its entire length.

Lighting this element of the building to express the form and itsâ activities is accomplished by simple dimmable fluorescent fittings that are programmed with a gentle sequence describing the flow of people along the ramp.

The Public announces itself in the nightscape through the outlining of the âjelly beanâ shaped windows and the visibility of activities within. The building is crowned with reflective forms containing plant, stairwells and other purely functional spaces, these reflect essential safety lighting on the roof to create a jewel-like sparkle.

Achieving this project has not been easy. Construction budget problems resulting in a change of ownership, architect and focus half way through the build required very careful consideration of the most cost effective ways of attaining the design goals and involved working closely with the manufacturers of the necessary special products required. The eventual success of this project is due to the support and determination of a few key people including Project Manager Alex Mclennan, Architect Julian Flannery and Exhibition Designer Ben Kelly who all provided support for KSLDâs creative lighting scheme.
Posted by: Mitja Prelovsek
Published on: March 28, 2009

For the ILUMA building in Singapore Realities:United created a light and media facade, which had to be effective both during day and night. The project is part of a new development (Urban Entertainment Center) designed by WOHA architects.

The installation is currently in construction phase and is scheduled to be completed in 2009.
Here is some more information from Realities-United:
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In various ways this concept blurs boundaries as it actively merges the concept of a media screen with an ornamental architectural screen filtering air and light and as it blends abstract futuristic shapes with a 1970âs Vegas style.

The âscreenâ facade is formed by a tessellated pattern made up by physical plastic bodies. A regular matrix of fluorescent lamps is superimposed onto (into) this idiosyncratic physical structure.

That produces a display screen, which however is vividly distorted by the strong geometry of the individual light fixture and which is peppered by the regular perforations of the physical screen as well as by variations in the arrangements of the light fixture objects.

By intention a complex and ambivalent impression.

On one side there is the impression of an ultra large media screen, which is not yet fully there.

It appears to be still deep frozen under a surface of ice, cracking and thawing.

A herald of a fundamental change of architecture, which is about to transform from a static to a dynamic art.

On the other side the individual blinking crystals carry a strong reminiscence to the look of the âmodern cityâ of the 20th century.

The idea of âentertainmentâ linked to flashing neon signs and excessive baroque carpets of light bulbs with its on-off moving aesthetic.

Because there will be change. Being the first development inside the new officially promoted Bugis night life area of Singapore the project anticipates the arrival of several competitors over the next 15 years.

Instead of starting a race in latest tech LED glamour, which the project would soon loose to its younger competitors the project concentrates on establishing a superb size and lighting power in combination with a striking visual appearance thereby building the claim of becoming the areas first and lasting land mark.










Posted by: Mitja Prelovsek
Published on: March 26, 2009

Gorbet Design Inc is a creative team of designers working with innovative experimental art and invigorates environments. They send us their project Solar Collector which exploits sun energy and uses it during nighttime for it’s unique performance of light.

Here is what Gorbet Design team said about their project:
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SOLAR COLLECTOR
-Â Â Â Â Â Â Â Â a solar-powered, web-connected, interactive sculpture
-Â Â Â Â Â Â Â Â a collaboration between the community and the sun

In an industrial setting in Cambridge, Ontario, twelve aluminum shafts rise at surprising angles from a grassy hill. They hang over the landscape at increasingly acute angles, creating a graceful curve that appears to unfold for passing motorists.

On each shaft are three solar panels, along with three sets of lights. The custom light fixtures are made from 432 reclaimed glass WWII tank periscope prisms, sandblasted and edge-lit with six white LEDs each.

SOLAR ENERGY AND HUMAN EXPRESSION
During the day, the solar panels along the top surface of each shaft collect the sun’s energy into individual batteries located within the shaft. While the solar panels are charging the batteries, Solar Collector also gathers human expression. Using a simple online interface, people choreograph waves of light into compositions that will become part of Solar Collectorâs nightly performance.
Each night at dusk, a performance begins of all the compositions collected that day. From quick, flashing pulses to slow, flowing waves, the submitted patterns are linked to create the first part of the evening’s performance. After the patterns collected each day are displayed, the performance moves on to the second part, a series composed algorithmically from all the patterns ever created.

The length of each day’s performance reflects the sunlight and the seasons, as the shafts use up the dayâs collected energy and fade out late in the evening, one by one.

THE SUN AS INSPIRATION
The sculptureâs form makes visible the graceful geometry of solar energy.

The angles of the shafts reflect the angles of the sun through the year. The tallest, most upright shaft is perpendicular to the sun’s rays at winter solstice, when the sun is low in the sky. The shortest, most acutely angled shaft faces the high sun at summer solstice.
The light compositions are made up of sine waves â the mathematical basis for sun’s motion through the sky and for the propagation of light. The lengths of the shafts also follow a sine wave, as they are calculated from the number of sunlight hours through the year.

Constructed from industrial materials but taking its inspiration from the forms of nature, Solar Collector speaks to the intersection between the natural and the industrial. Wielding the sun’s energy, participants combine the power of nature and the potential of technology in inspired expressions of global belonging and concern.

The comments submitted along with the compositions range from descriptive naming of the patterns to messages of environmental hope to the joy people feel at being able to reach halfway around the world (or down the street) and create a pattern to flash across the Canadian sky.




Posted by: LuÄka Slatner
Published on: March 24, 2009

ACT Lighting Design has sent us their project Reciprocity created and installed for the Solstis LumiĂšre d’artistes festival in Brussels in 2008- 2009.

It consist of luminous cubes of various sizes that are scattered across the city.

All the photos are property of ACT Lighting Design.
Here is a more detailed description of the project:
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The principle of reciprocity is based on 3 essential moments: giving, receiving and returning.

Putting into relationship the traditional (end of year) exchange of presents and the exchange between people and cities, the artist wanted to develop a lighting installation for uptown based on these 3 principles.

The journey starts from the âPorte de Namurâ where light cubes fall out of the sky, the stroller will be guided through light trees to the âPlace StĂ©phanieâ, to a sculpture composed of a mountain of cubes for Brussels.

This light energy will be given and shared.

Posted by: Mitja Prelovsek
Published on: March 24, 2009

On June 10, 2009, the NYC Section of the Illuminating Engineering Society of North America will pay tribute to the most outstanding lighting projects created by designers in New York Cityâhome to Americaâs largest concentration of lighting consultants, interior designers, architects and engineersâwith a not-to-be-missed evening at the Chelsea Piers in Manhattan.
Originally developed to encourage and publicly recognize excellence, professionalism, ingenuity and originality in lighting design, the Lumen Awards have grown more and more prestigious each year. Designed to honor the Lumen Awards recipients, the Gala is their night to shine and your night to bask in the glow of all the festivities.
Last yearâs Lumen Awards Gala was enthusiastically attended by close to 700 leaders in lighting design, architecture, interior design, engineering and manufacturing. To be sure you are one of the revelers this year, IESNYC suggests you make your reservation as early as possible.
More info here.
More: Iesnyc
Posted by: Mitja Prelovsek
Published on: March 23, 2009

Folded Space is a project by MSW that interacts with perception of Torre Pompéia building in São Paulo/Brasil.

It uses video projection composed of geometrical shapes which, as they move and re-shape, transform the building onto which they are projected. The building in turn influences and transform the projections as well.

Unless noted otherwise all the photos in this article are property of Mader Stublic Wiermann.
Here follows more info from MSW:
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If architecture is wrapped in moving light thus relativized, charged, how does it maintain itâs ground?

Photo copyright: Nilton Silva
The torre PompĂ©ia was constructed as a new building by the Italian architect Lina BĂČ Bardi in the eighties.

Photo copyright: Nilton Silva
The video installation âfolded spaceâ uses the tension-filled constellation of massive parts of the building and bridge arrangements for a temporarily fresh interpretation.

The projected video consists of abstract two-dimensional structures, which arrange themselves in spacial constellations over a choreography of about 12 minutes.

Change of motifs and perspective are performed and thus shifting spatiality over time.

The video creates a new layer on the building, which is âfloatingâ over the surface and is âfracturedâ at its edges. The video is âfoldedâ: the coherent pictorial space is questioned.

The installation thus obtains an eventful quality, which allows – dependent on the viewing angle and point in time – spontaneous and unexpected spacial constellations.

The installation thus obtains an eventful quality, which allows – dependent on the viewing angle and point in time – spontaneous and unexpected spacial constellations.

The conclusiveness of the projected light spaces, which originate from a computer simulation, are âbroke openâ and reinterpreted.

âfolded spaceâ is created as an experiment and pursues the question in how far architectural forms still exists and communicate their urban relevance in a perception that is increasingly affected by media-based events.

Photo copyright: Nilton Silva
Posted by: Mitja Prelovsek










